Opening Windows: Confessions of a Canadian Vocal Coach

Opening Windows: Confessions of a Canadian Vocal Coach book cover

Opening Windows: Confessions of a Canadian Vocal Coach

Author(s): Stuart Hamilton (Author), Lotfi Mansouri (Foreword)

  • Publisher: Dundurn Press
  • Publication Date: October 30, 2012
  • Edition: First Edition
  • Language: English
  • Print length: 184 pages
  • ISBN-10: 1459705122
  • ISBN-13: 9781459705128

Book Description

A vocal coach who has been in the vanguard of classical music in Canada for more than six decades.

Stuart Hamilton is a well-known Canadian musician who has been in the forefront of music in Canada for more than 60 years. Here, in this memoir, he recounts his sometimes hectic assault on the Canadian music world. Along the way, Hamilton encountered, as a vocal coach and accompanist, most of the great Canadian singers of the last half of the 20th century, and some international ones as well.

For 27 years Hamilton was an erudite and funny personality on CBC’s Saturday Afternoon at the Opera. He has appeared across Canada with such beloved artists as Lois Marshall, Maureen Forrester, Richard Margison, and Isabel Bayrakdarian. In Opening Windows, Hamilton takes the reader into his confidence on numerous matters that have influenced musical life in Canada for decades.

Editorial Reviews

Review

[Opening Windows], like Hamilton's much-missed weekly visits via the radio, is an entertaining way to spend a few short hours with a doer. There are belly-laugh-meets-terror moments (almost always at Hamilton's expense), such as when he turned pages for Arpad Sandor for an Elisabeth Schwarzkopf recital at Eaton Auditorium and, at one point in the second half, the pages went flying to the stage floor. There are moments that left me stupefied, such as when Hamilton talks himself into conducting a run of Gilbert and Sullivan's HMS Pinafore in Buffalo without ever having conducted an orchestra before.

Review

I find the manuscript fascinating. Smart, witty, crafty, informative, nostalgic, yet never pompous, never academic, never self-indulgent.

-- ― Martin Bernheimer, Pulitzer Prize–winning music critic for the Los Angeles Times and the Financial Times of London

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