Name: Eargle's The Microphone Book: From Mono to Stereo to Surround - A Guide to Microphone Design and Application 2nd Edition
Author: John Eargle (Author)
ISBN: 9780240519616

Eargle's The Microphone Book: From Mono to Stereo to Surround - A Guide to Microphone Design and Application 2nd Edition book cover

Eargle's The Microphone Book: From Mono to Stereo to Surround - A Guide to Microphone Design and Application 2nd Edition

Author(s): John Eargle (Author)

Publisher: Focal Press
Publication Date: November 10, 2004
Edition: 2nd
Language: English
Print length: 392 pages
ISBN-10: 0240519612
ISBN-13: 9780240519616

Book Description

The Microphone Book is the only guide you will ever need to the latest in microphone technology, application and technique. This new edition features, more on microphone arrays and wireless microphones; a new chapter on classic old models; the latest developments in surround; expanded advice on studio set up, recording and mic selection; improved layout for ease of reference; even more illustrations.

John Eargle provides detailed analysis of the different types of microphones available. He then addresses their application through practical examples of actual recording sessions and studio operations. Surround sound is covered from both a creative and a technical viewpoint.

This classic reference takes the reader into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to such matters as stereo sound staging, perspective, and balance are also covered in detail. Recording and sound reinforcement engineers at all levels of expertise will find The Microphone Book an invaluable resource for learning the 'why' as well as the 'how' of choosing a microphone for any situation.

Editorial Reviews

Review

"...this is a very interesting book which is well written and copiously illustrated with both graphs and pictures throughout. For anyone involved in using, specifying or manufacturing microphones this will prove an invaluable read." - Lighting and Sound International

"Besides being a "must-have reference source for recording engineers, producers or anybody who desires to better understand and utilize mics, The Microphone Book is an engaging read from its first chapter on microphone history to the 21st chapter and Eargle's unique take on classic microphones and their influence on the art and science of recording...The Microphone Book is unique in its balance of broad and meticulously detailed practical information." - Music Connection magazine

Reviews for the previous edition:
"John has brought his successful experience in classical and other music recording to the book's many pages, and one can find the best microphone arrangements for nearly every conceivable situation and guides to proceed for the more unusual ones." - The American Organist

"John Eargle has prepared another useful book for audio system contractors, engineers, designers and enthusiasts.
Sound & Communications magazine

"Highly recommended for everyone who wants to know more. Read it.
Amazon.com customer review

"The Microphone Book will save you time and money, even if you only ever buy one microphone to use in a home studio. If you do live sound, record on location, or are kitting out a slightly more ambitious project studio, then this book will be invaluable. It takes you far further than the 'microphone' sections of general guides to studio recording.
Amazon.co.uk customer review

About the Author

Ray A. Rayburn, Senior Consultant with K2 Audio LLC. Member of the AES Standards Working Group on Microphones, and Chair of the Standards sub-committee on Interconnections. Recording engineer. Lifetime interest in microphone use, testing, and design.
John Eargle holds multiple degrees in music and engineering, and has consulted extensively on electroacoustical product development. He is President of JME Consulting Corporation and author of The Handbook for Recording Engineering, The Loudspeaker Handbook, Electroacoustical Reference Data and others. Among the many artists he has recorded are the London Symphony, the Los Angeles Chamber Orchestra, Joe Williams, Rush Brown and Etta James. In February 2001 he received a Grammy award for Best Classical Engineering. He is a fellow, honorary member and past president of the Audio Engineering Society. He has served on the faculty of the Aspen Audio Recording Institute since 1980. He is a member of the National Academy of Recording Arts and Sciences and the Academy of Motion Picture Arts and Sciences.

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