Warning: Constant WP_DEBUG already defined in C:\wwwroot\ebooks.wiki\wp-config.php on line 98

Warning: Constant WP_DEBUG_LOG already defined in C:\wwwroot\ebooks.wiki\wp-config.php on line 99

Warning: Constant WP_DEBUG_DISPLAY already defined in C:\wwwroot\ebooks.wiki\wp-config.php on line 100
A Semiotics of Multimodality and Signification in the Divine Comedy (Routledge Studies in Medieval Literature and Culture)-电子书百科大全

A Semiotics of Multimodality and Signification in the Divine Comedy (Routledge Studies in Medieval Literature and Culture)

A Semiotics of Multimodality and Signification in the Divine Comedy (Routledge Studies in Medieval Literature and Culture)
by: Raffaele De Benedictis (Author)
Edition:1st
Publication Date: August 29, 2023
Language:English
Print Length:260 pages
ISBN-10:1032497335
ISBN-13:9781032497334
Book Description
A new critical method for the Divine Comedy which focuses not only on language-as-writing but also and equally on other discursive modes that the Divine Comedy authorizes. Multimodality was already present in Dante’s time, and the reception of the Divine Comedy took place multimodally. Thus, a theoretical study of multimodality carried out under the semiotic lens sheds light on how and why a mode is more effective than another and/or how they may combine in producing signification and new ontologies warranted by Dante’s text. Also, we do not yet have a critical theory that allows us to understand the function of multimodality for the creation of new forms of signification and of clarifying the ontological boundaries set forth by different modalities. It is a new and original study which contributes to the advancement of Dante Studies, Literary Criticism (with a focus on literary semiotics), Multimedia/Multiliteracy, philosophy of language, communication, and education.Chapters 1, 2, and 5 of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. .
About the Author
A new critical method for the Divine Comedy which focuses not only on language-as-writing but also and equally on other discursive modes that the Divine Comedy authorizes. Multimodality was already present in Dante’s time, and the reception of the Divine Comedy took place multimodally. Thus, a theoretical study of multimodality carried out under the semiotic lens sheds light on how and why a mode is more effective than another and/or how they may combine in producing signification and new ontologies warranted by Dante’s text. Also, we do not yet have a critical theory that allows us to understand the function of multimodality for the creation of new forms of signification and of clarifying the ontological boundaries set forth by different modalities. It is a new and original study which contributes to the advancement of Dante Studies, Literary Criticism (with a focus on literary semiotics), Multimedia/Multiliteracy, philosophy of language, communication, and education.Chapters 1, 2, and 5 of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. . Read more

 收藏 (0) 打赏

您可以选择一种方式赞助本站

支付宝扫一扫赞助

微信钱包扫描赞助

未经允许不得转载:电子书百科大全 » A Semiotics of Multimodality and Signification in the Divine Comedy (Routledge Studies in Medieval Literature and Culture)

分享到: 生成海报

评论 抢沙发

评论前必须登录!

立即登录   注册

登录

忘记密码 ?

切换登录

注册

我们将发送一封验证邮件至你的邮箱, 请正确填写以完成账号注册和激活